Maybe he'll turn out to be the best
Internet reviewer I never knew I missed.
The Return of the Nostalgia Critic is
something that I'd been prepared for since the “original series,”
I guess we could call it, ended in September last year. I just
hadn't expected it to be as soon as it has been, or as permanent as I
understand it to be.
See, at the time, Doug Walker, the man
behind Nostalgia Critic and its successor, Demo Reel, was more than a
little burned out on what had been his flagship show for a little
more than four years. After 300 episodes, more or less, it had
become clear, or at least what seemed clear, that the show had run
its course. With the end of the Nostalgia Critic show officially
announced shortly after the Channel Awesome Team's fourth anniversary
project, entitled To Boldly Flee,
Mr. Walker, I thought, did a good job of making it clear that the
Critic was gone except for special occasions, only making rare
appearances.
Demo
Reel, meanwhile, started slowly, essentially as a group of characters
doing extended versions of Nostalgia Critic scenes tied together by a
plot of an amateur film studio making bad remakes of popular movies.
As the show progressed, I thought it was getting better, moving from
a constant string of drawn out one-shot jokes that were so far over
the top as to almost be on another planet, to spending more time
working with character development and making a smaller number of
jokes work better.
The
decision to cancel Demo Reel and bring back Nostalgia Critic can't
have been an easy one for Walker and the staff at Channel Awesome.
From what I understand, a sitcom sort of thing was exactly the kind
of thing that they'd wanted to do for quite awhile, and I thought
they were finally starting to get it to work. I would have liked
Demo Reel to continue for at least a little while longer, but it
wasn't my decision to make.
And
with that in mind, I suppose the decision they made is at least a
little bit like the one that the Sci-Fi Channel was faced with when
they canceled Mystery Science Theater 3000 back in 1999. From a
business standpoint, I suppose it was the best one they could have
made, given that the audience base for MST3K wasn't growing fast
enough to keep up with the price of making an episode, which was on
the rise due to the fact that the rights to the movies was going up
fast. MST was a favorite, and even the folks who own the rights to
the bad movies shown were in it to make money.
Likewise,
the That Guy With The Glasses website, and specifically his Blip
videos were, and still are Doug Walker's primary source of income.
Since the majority of the viewing audience seemed to prefer Nostalgia
Critic to Demo Reel, the decision to go back to what the audience
wanted had to be made. And from what I understand, there was a
benefit to the Critic just going on hiatus for a few months rather
than being canceled for good. What I took away from a Nostalgia
Critic/Demo Reel crossover episode, Walker still had a lot of ideas
he wanted to work with, and after a few months away from the Critic,
he got his mind right to actually make them work.
Now,
as of this writing, I haven't yet watched the first episode of the
New Nostalgia Critic Show. There's only one out at this point, so
catching up shouldn't be too hard. Another of the things I took away
from the crossover episode announcing the reboot was that at least
some of the old restrictions that Walker had previously had in place
on the Critic had been lifted so he could do more what he wanted with
that character and show. And I'm sure having it come out biweekly
instead of every week will be a big help, too.
Now,
where will this New Nostalgia Critic Show go from here? Well, it's
hard to say, since we're only at the beginning. But I get the
feeling it will be interesting. After all, I wrote a few Looking
Back articles on That Guy about things that I'm surprised were never
made into official Critic episodes. The most recent of these was the
Muppet Babies article, since there's like a law or something that
says people in our age group pretty much had to watch that. One that
did make it into the old series was Pound Puppies. I'm not sure if
one of us inspired the other, and if so who inspired whom, but I
fumbled my way through an article about the Saturday morning cartoon
while he did the movie version that I'd forgotten, if I ever knew
about it.
What
the future holds will be interesting. I hope it brings good tings to
the Channel Awesome team and to us all.
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